The New Young Frankenstein in the old Boston Opera House

In the beautifully restored Boston Opera House, at 7:30 we were clock) run by a talented band, including Roger Bart (Dr. Frankenstein), Rye Mullis (the monster), Cory English (Igor), Brad Oscar (Inspector Beth Cury (Elizabeth), Joanna Glushak (Mrs. Blucher) and Ann Horan (Inga). For all those classic Mel Brooks film of the complex, including Gene Wilder, Teri Garr, Cloris Leachman, Marty Feldman, Peter Boyle, Madeline Kahn, Kenneth Mars remember, andGene Hackman live up to this performance was not an easy task. As you may recall, Mel Brooks shot the picture in black and white as a reminder of the horror films of the past. And most importantly, newly invented and held a very good colorful theatrical version.

The game was very entertaining, enhanced by excellent performances by Bart (Frankenstein), Horak (Inga), English (Igor), continues to dance by Cury rich voice and an excellent ensemble. When Bart looks at every note, isit intriguing as the pharmacist on Desperate Housewives, or the many Broadway shows he has done over the years. The actors were, but some of the staging, impressive and entertaining, well-timed and perfectly executed, the staging was to be put out well done. Act One, Scene Ten, the laboratory, even on the operating table of Frankenstein to climb into the sky full of lightning striking (or light) Effects of Low and Robert accompanied hisOrchestra.

Some of the best numbers of the evening included "The Brain", "Puttin 'on the Ritz", and one of my favorites, a tongue in cheek delivery of "Deep Love," which was the second which is far from subtle, but Mel Brooks classic comedy again. Occasionally I found the production is too high, and reached more than over the top. Some of the characterization was so larger than life, the mood was a bit 'wired, when a more subtle approach would give aa better result. Overall, though, this new version of the classic Frankenstein a must see for any fan of Mel Brooks fan, or theater.

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